YouTube’s blocked content notice “This video is not available in Germany” is part of an ongoing discourse on music streaming and the German collecting society, GEMA. The debates unfold mainly online, and GEMA–bashing is one of the most recognized outcomes. The central question is: How much are music authors paid per stream? By conducting a critical online discourse analysis I identify central interests, arguments and discursive strategies in the discussions around GEMA and YouTube. I argue that positioning has become a central factor in these online discourses
YouTube, Facebook, MySpace, and other websites that contain user-generated content (UGC) have become...
In 2014, British Pathé launched its YouTube channel with more than 85,000 items of audiovisualherita...
The question of how copyright-protected content is used on the Internet and, particularly, which con...
»This video is not available in your country.« With this sentence, the video platform YouTube fueled...
peer reviewedMusical and cinematographic works are shared on a large scale via the Internet, often d...
»This video is not available in your country.« With this sentence, the video platform YouTube fueled...
In this video, I discuss some of the research participant comments in the Music Creators’ Earnings i...
Abstract. A comparison of existing online revenues collected from digital music licenses and the pot...
What factors lead a copyright owner to request removal of potentially infringing user-generated cont...
The YouTube platform reduces fixed entry costs for local artists but also lowers the cost of access ...
What factors lead a copyright owner to request removal of potentially infringing user-generated cont...
What factors lead a copyright owner to request removal of potentially infringing user-generated cont...
Sweeping changes are coming to copyright law in the European Union. Following four years of negotiat...
Master's thesis in music management - University of Agder 2013The background for this thesis was to ...
Since launching as a website for everyday video-sharing in 2005, YouTube has become one of the world...
YouTube, Facebook, MySpace, and other websites that contain user-generated content (UGC) have become...
In 2014, British Pathé launched its YouTube channel with more than 85,000 items of audiovisualherita...
The question of how copyright-protected content is used on the Internet and, particularly, which con...
»This video is not available in your country.« With this sentence, the video platform YouTube fueled...
peer reviewedMusical and cinematographic works are shared on a large scale via the Internet, often d...
»This video is not available in your country.« With this sentence, the video platform YouTube fueled...
In this video, I discuss some of the research participant comments in the Music Creators’ Earnings i...
Abstract. A comparison of existing online revenues collected from digital music licenses and the pot...
What factors lead a copyright owner to request removal of potentially infringing user-generated cont...
The YouTube platform reduces fixed entry costs for local artists but also lowers the cost of access ...
What factors lead a copyright owner to request removal of potentially infringing user-generated cont...
What factors lead a copyright owner to request removal of potentially infringing user-generated cont...
Sweeping changes are coming to copyright law in the European Union. Following four years of negotiat...
Master's thesis in music management - University of Agder 2013The background for this thesis was to ...
Since launching as a website for everyday video-sharing in 2005, YouTube has become one of the world...
YouTube, Facebook, MySpace, and other websites that contain user-generated content (UGC) have become...
In 2014, British Pathé launched its YouTube channel with more than 85,000 items of audiovisualherita...
The question of how copyright-protected content is used on the Internet and, particularly, which con...